{"title":"Strymon","description":"","products":[{"product_id":"strymon-bigsky-reverb-pedal","title":"Strymon BigSky Reverb Pedal","description":"\u003cp\u003ePlug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTo create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.\u003c\/p\u003e\n\u003cp\u003eFeel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Defy the laws of physics with the Nonlinear reverbs. Unleash the multi-head reverberations of the Magneto machine. BigSky gives you twelve studio-class reverb machines, each with simple yet powerful controls.\u003cbr\u003eWe knew we must take reverb to a whole new level. With careful attention to detail, innovative analog circuitry design, an insanely powerful SHARC processor, and the utilization of top-shelf components, we’ve developed a reverb pedal that fits on your pedal board yet has better audio quality than many rack reverb units. This fusion of science with art has just one goal. To provide you with the most musically inspirational reverb experiences possible. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHand crafted, studio-class reverb algorithms deliver lush, gorgeous, and musically inspiring reverb experiences\u003c\/li\u003e\n\u003cli\u003eTwelve reverb machines to choose from: Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, Reflections\u003c\/li\u003e\n\u003cli\u003eSeven front-panel tone shaping knobs: Decay, Pre-Delay, Mix, Tone, Mod, Param 1, Param 2 (Param knobs assignable per preset)\u003c\/li\u003e\n\u003cli\u003eAdditional menu parameters allow for easy customization of reverb sounds\u003c\/li\u003e\n\u003cli\u003e300 easily accessible and namable presets\u003c\/li\u003e\n\u003cli\u003ePress-and-hold Infinite Sustain and Freeze functions, saveable per preset\u003c\/li\u003e\n\u003cli\u003eSpillover and Reverb Persist modes, saveable per preset\u003c\/li\u003e\n\u003cli\u003eSelectable Speaker Cabinet emulation for direct-to-PA gigs or recording applications\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":12347238514769,"sku":"BIGSKY","price":479.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/products\/Strymon_Big_Sky_Multi_Reverb_A.jpg?v=1571709157"},{"product_id":"strymon-mobius-multidimensional-modulation-pedal","title":"Strymon Mobius Multidimensional Modulation Pedal","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003eSome might say we’re driven. When our engineers lock themselves in our sound design labs for months on end, you might say we’re obsessed. We have been dedicating ourselves to forging a collection of the most organic, luscious, expressive, and versatile modulation effects ever heard.\n\u003cp\u003eIt was an enormous mission—we painstakingly studied the nuances of the legendary modulations of celebrated tremolo effects, phaser pedals, chorus units, and more from the last five decades. We didn’t stop at faithfully capturing these warm and lush vintage sounds—we expanded their vocabulary with extended versatility and sonic possibilities never before heard.\u003c\/p\u003e\n\u003cp\u003eMobius gives you twelve legendary, versatile, and inspirational modulation machines, all in an easy-to-use package. Go from mouthwatering vintage chorus sounds all the way to syrupy psychedelic phasers. Get classic, pulsating tremolos all the way to warbling crushed bits. Mobius opens up the history books of music and provides new sounds and inspiration for all of your musical ideas.\u003c\/p\u003e\n\u003cp\u003eWe knew we must surpass what has been done—in sound design, audio quality, hardware design, and processing power. Utilizing an insanely powerful SHARC DSP, every drop of power is harnessed. Top it all off with 200 presets, full MIDI implementation and a unique Pre\/Post Mode and you’re on your way to modulation ecstasy.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudio-class modulation algorithms deliver meticulous and detailed modulation experiences\u003c\/li\u003e\n\u003cli\u003eTwelve modulation machines to choose from: Chorus, Flanger, Rotary, Vibe, Phaser, Filter, Formant, Vintage Trem, Pattern Trem, Autoswell, Destroyer, Quadrature\u003c\/li\u003e\n\u003cli\u003eFive front-panel tone shaping knobs: Speed, Depth, Level, Param 1, Param 2 (Param knobs assignable per preset)\u003c\/li\u003e\n\u003cli\u003eAdditional menu-driven parameters deliver extremely flexible tone shaping options and versatility\u003c\/li\u003e\n\u003cli\u003e200 easily accessible and nameable presets, save and recall at the press of a switch\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":12347239563345,"sku":"MOBIUS","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/products\/Mobius.jpg?v=1571709158"},{"product_id":"strymon-riverside-multistage-drive-pedal","title":"Strymon Riverside Multistage Drive Pedal","description":"\u003cp\u003eRiverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Our goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. We didn’t want to build just another distortion or overdrive. We knew we must examine what has been done, and bring a new approach to the world of drive sounds.\u003c\/p\u003e\n\u003cp\u003eRiverside’s cascading gain stages create harmonically rich tones that are immensely musical and natural—from silky clean overdrive to colossal distortion, and all points between. Our analog JFET front-end ensures that Riverside responds to your guitar with uncompromised dynamics and feel. The precision crafted DSP generates dynamic complexity and pleasing harmonics at every stage, letting your amp shine at any gain level. Riverside takes your amp to places you never knew it could go.\u003c\/p\u003e\n\u003cp\u003eRiverside’s continuously variable circuit tuning dynamically tweaks multiple parameters under the hood so that the sweet spot follows you at any gain setting. As you turn the Drive knob, Riverside makes continuous adjustments, tuning the circuit for optimum tone. This results in an incredibly versatile drive pedal that is equally capable of providing sparking cleans, mild overdrives, high-gain leads, and heavy saturated distortions.\u003c\/p\u003e\n\u003cp\u003eYour amp choice has a large influence on the sound of any drive pedal connected to it. Riverside’s musical 3-band EQ, with independent Bass, Middle and Treble knobs, is designed to complement your amp’s tone with the flexibility needed to dial in your sound effectively and efficiently.  The three-position Presence switch tailors the highest frequencies, allowing Riverside to integrate perfectly with any amp or setup, no matter how dark or bright.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCustom cascading multistage distortion topology provides a wide range of tube-inspired drive tones\u003c\/li\u003e\n\u003cli\u003eDigitally controlled analog class A JFET input gain stage maximizes headroom while adding up to 20dB of pure analog gain\u003c\/li\u003e\n\u003cli\u003ePrecision crafted DSP gain stages provide detailed complexity and responsiveness\u003c\/li\u003e\n\u003cli\u003eLow gain channel for smooth classic overdrive\u003c\/li\u003e\n\u003cli\u003eHigh gain channel for modern saturated distortion\u003c\/li\u003e\n\u003cli\u003e3-band EQ with independent Bass, Middle and Treble controls\u003c\/li\u003e\n\u003cli\u003eSelectable post-analog gain mid-band EQ push\u003c\/li\u003e\n\u003cli\u003ePresence switch to tailor the sound for use with all amplifiers from dark to bright\u003c\/li\u003e\n\u003cli\u003eOptional variable-threshold noise reduction helps tame noisy guitar pickups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eStrymon pedals are not eligible for online checkout, free shipping, or international delivery options. 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We studied six circuit types found in many truly timeless and iconic overdrive and boost pedals, and put our takes on all six of them into a single two-channel unit.\u003c\/p\u003e\n\u003cp\u003eSunset is really two customizable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent “more amp” to heavy saturated fuzz, and all the best places in between.\u003c\/p\u003e\n\u003cp\u003eWe are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. We did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. We applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.\u003c\/p\u003e\n\u003cp\u003eSunset utilizes an all-analog JFET gain stage coupled with custom-voiced, precision-crafted DSP algorithms to capture the nuances and character of each circuit type.\u003c\/p\u003e\n\u003cp\u003eSince the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits. 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We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSHARC DSP\u003c\/strong\u003e, every drop of processing power is harnessed.\u003c\/p\u003e\n\u003cp\u003e TimeLine provides you with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003etwelve different delay machines\u003c\/strong\u003e, each with extensive control over sonic character and feel. Tweak to your hearts content and save up to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e200 presets\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eof your favorite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. 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Activate your imagination with evolving ambient echoes and warm, organic feedback with just the right amount of grit. Sculpt your soundscape in real time as Volante becomes an extension and expansion of your musical instrument. Infuse your pedalboard with stunning vintage vibes that resonate and inspire.\u003cbr\u003e\u003cbr\u003eDelivering truly exceptional sound quality and intuitive playability, Volante is designed to radically enhance the sonic expressiveness of your pedalboard. Featuring magnetic drum echo, tape echo, and reel-to-reel studio echo, Volante is a stereo multi-head delay that also offers a looper and vintage spring reverb, with powerful sound-sculpting controls for limitless sonic possibilities.\u003cbr\u003e\u003cbr\u003eTo capture the nuance and complexity of classic tape and drum echo machines, every last magnetic delay system attribute was relentlessly studied and faithfully recreated. 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Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eReverberant Synthesis Machine.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. NightSky gives you real-time continuous control of reverb pitch\/processing rate\/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide. You haven’t heard a pedal like this before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eThe Rules of Space and Time Have Been Rewritten. \u003c\/strong\u003e\u003cstrong\u003eNew Sonic Territory.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNightSky is a reverb pedal you will want to get your hands on. Deep and powerful sound manipulation with instant response knob-tweaking and no menu diving set a new standard in experimental reverb sound design.\u003cbr data-mce-fragment=\"1\"\u003eWarp Core Reverb.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNightSky achieves some of its most mind bending sounds by using a Variable Process Rate for its reverb core, allowing you to simultaneously change the size of the reverb as well as the pitch. This pitch change can be completely smooth, or quantized to a variety of musical scales. And it can be sequenced.\u003cbr data-mce-fragment=\"1\"\u003eHarmonic Sculpture Machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUse Shimmer to shift the harmonic structure by selectable musical intervals. Add Glimmer to dynamically enhance the harmonic spectrum. Turn up Drive to generate saturated overdriven harmonics. 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Built-in grounding isolation ensures the quiet operation you expect from Strymon. And for pedals that only need to receive MIDI, Dual Mode allows you to connect two pedals to a single TRS output using an optional TRS splitter cable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eUSB MIDI Interface For Your Pedals\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eConduit - MIDI HubConduit is designed to be a rock solid USB MIDI interface between your computer and your pedals. Send MIDI control change messages from a sequencer for perfectly synced pedal parameter changes. Automate pedal preset changes, load and save presets, or send SYSEX messages—all from your computer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEasy to Set Up. Easy to Use. 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Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before—all instantly musical with great tone all the way across every dial.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTwo Effects At Once\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eZelzah is actually two different phasers, side by side in one pedal. Zelzah’s 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. 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Use our multi-plug daisy chain pedal and run 4 pedals from one power supply output.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eConnectors: 2.1mm straight (5)\u003c\/li\u003e\n\u003cli\u003ePolarity: standard (center negative)\u003c\/li\u003e\n\u003cli\u003eLength: 48″ (122cm)\u003c\/li\u003e\n\u003cli\u003eLength between outputs: 12″ (30cm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":39749198774353,"sku":"A5000013","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/products\/dc.jpg?v=1643872053"},{"product_id":"strymon-bluesky-reverberator","title":"Strymon Bluesky Reverberator New Version 2 MIDI","description":"\u003cstrong\u003eHigher Elevation.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eReverberant Bliss.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhether you’re a classic spring reverb fan, a studio rack aficionado, or an ambient soundscape creator searching for new sonic textures, the sounds you are looking for are here.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eblueSky provides three different reverb types: plate, room, and spring, and each type can produce everything from stunning realism to expanded sounds far beyond what would be physically possible, while always remaining musical and beautiful.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIntuitive and powerful tone shaping controls allow you to easily dial in an endless variety of inspiring sounds. And with ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters and a 20Hz to 20kHz frequency response, blueSky is equally at home on top of a studio console or in front of a tube amp.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAll New Features.\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOur second generation blueSky offers true studio quality reverbs in a compact pedal, and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTone Shaping\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA dedicated Shimmer knob and new Shimmer behaviors yield an inspiring variety of immersive new sounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA new Mod switch allows you to select the modulation depth for each reverb type.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA beautiful new Spring algorithm creates extraordinary vintage spring reverb sounds, as well as expanded spring textures and hauntingly unique interactions with an octave-down Shimmer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHardware Improvements\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn addition, you can now control blueSky with an expression pedal or MultiSwitch Plus.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003cbr data-mce-fragment=\"1\"\u003eMIDI\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFull MIDI implementation allows you to control just about every knob, switch, and setting remotely via the EXP\/MIDI jack or USB.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd you can save and recall all the new sounds you create via 300 onboard MIDI preset locations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/li\u003e\n\u003cli\u003eLow impedance independent TS stereo outputs.\u003c\/li\u003e\n\u003cli\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/li\u003e\n\u003cli\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/li\u003e\n\u003cli\u003eDedicated Favorite \u0026amp; On\/Off footswitches\u003c\/li\u003e\n\u003cli\u003ePremium JFET analog front end\u003c\/li\u003e\n\u003cli\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/li\u003e\n\u003cli\u003e520MHz ARM Superscalar processor\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003e20Hz to 20kHz frequency response\u003c\/li\u003e\n\u003cli\u003eAudio Input Impedance: 1M Ohm\u003c\/li\u003e\n\u003cli\u003eAudio Output Impedance: 100 Ohm\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized blue aluminum chassis\u003c\/li\u003e\n\u003cli\u003e9V DC power supply included\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current\u003c\/li\u003e\n\u003cli\u003eDimensions: 4.5” deep x 4” wide x 1.75” tall, 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":40010934288465,"sku":"BLUESKYV2","price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/products\/blueSky_TopDown_Crop.jpg?v=1657513982"},{"product_id":"strymon-deco-tape-saturation-doubletracker-new-version-2-midi","title":"Strymon Deco Tape Saturation \u0026 Doubletracker New Version 2 MIDI","description":"\u003cstrong\u003eTape: The First Effect\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAdd warm dimensionality and luscious tape saturation to your signal. 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These early machines really were the first effects pedals — they just wouldn’t have fit on your pedalboard!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMid-Century Maverick.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFrom the inherent warmth and luscious tape saturation to the forgotten art of how these machines were manipulated, Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.\u003cbr\u003e\u003cbr\u003eDeco’s Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening your tone with subtle tape-driven transparent overdrive.\u003cbr\u003e\u003cbr\u003eThe Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eClassic Sound, New Features.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOur second generation Deco gives you the same gorgeous reel-to-reel tape sounds from our original, while adding several significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFull MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Deco’s EXP\/MIDI jack or USB-C connection.\u003cbr\u003e\u003cbr\u003eLag Deck delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset.\u003cbr\u003e\u003cbr\u003e300 MIDI preset locations are available for loading and saving your favorite settings.\u003cbr\u003eNew Tonal Options\u003cbr\u003e\u003cbr\u003eWe’ve added new controls for even more sonic flexibility.\u003cbr\u003e\u003cbr\u003eDeco now comes with an all-new cassette tape voicing that employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a compressed, fat tone.\u003cbr\u003e\u003cbr\u003eIn addition, a new dedicated Tone knob lets you adjust the tone of the Tape Saturation exactly to your liking, from dark to bright.\u003cbr\u003eHardware Improvements\u003cbr\u003e\u003cbr\u003eA premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.\u003cbr\u003e\u003cbr\u003eAll this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e    \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/li\u003e\n\u003cli\u003eLow impedance independent TS stereo outputs.\u003c\/li\u003e\n\u003cli\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/li\u003e\n\u003cli\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/li\u003e\n\u003cli\u003eDedicated Tape Saturation On\/Off \u0026amp; 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Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRack To The Future.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eRack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.\u003cbr\u003e\u003cbr\u003eOur thorough investigation of digital delay technology reveals the unique personalities that these delays possess. 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Dial in some spring reverb to further enhance the sense of space. Effortlessly create multi-layered ambient soundscapes with the tape-style sound on sound looper.\u003cbr\u003e\u003cbr\u003eTransform your pedalboard into the inspiration machine it was meant to be.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMagnetic Monster.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eEl Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping.\u003cbr\u003e\u003cbr\u003eGo from the full-range sonic stability of a fresh-from-the-factory echo machine, to the heavily fluctuating sound of a road-worn unit in need of service. 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First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.\u003cbr\u003e\u003cbr\u003eFlint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrom A Classic Era.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFlint gives you the pulsating, soothingly hypnotic effects pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms.\u003cbr\u003e\u003cbr\u003eOn the tremolo side of the pedal you can choose between the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. On the reverb side you can select the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, or the nostalgic ’80s Hall Rack Reverb.\u003cbr\u003e\u003cbr\u003eWith nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads.\u003cbr\u003e\u003cbr\u003eCouple that with true bypass, and a premium quality analog front end and output section, and you have the history of tremolo and reverb in a pedalboard friendly format.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVintage Sound, New Features.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOur second generation Flint gives you the same gorgeous tremolo and reverb sounds from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFull MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint’s EXP\/MIDI jack or USB-C connection.\u003cbr\u003e\u003cbr\u003eTremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset.\u003cbr\u003e\u003cbr\u003e300 MIDI preset locations are available for loading and saving your favorite settings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHardware Improvements\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.\u003cbr\u003e\u003cbr\u003eAll this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExtended Control\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLove slow tremolo?\u003cbr\u003e\u003cbr\u003eThe Speed knob range has been expanded to slow the tremolo down to nearly 1Hz at its minimum setting.\u003cbr\u003e\u003cbr\u003eOn the reverb side, pre-delay time is now adjustable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/li\u003e\n\u003cli\u003eLow impedance independent TS stereo outputs.\u003c\/li\u003e\n\u003cli\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/li\u003e\n\u003cli\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/li\u003e\n\u003cli\u003eDedicated Reverb On\/Off \u0026amp; Tremolo On\/Off footswitches\u003c\/li\u003e\n\u003cli\u003ePremium JFET analog front end\u003c\/li\u003e\n\u003cli\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/li\u003e\n\u003cli\u003e520MHz ARM Superscalar processor\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003e20Hz to 20kHz frequency response\u003c\/li\u003e\n\u003cli\u003eAudio Input Impedance: 1M Ohm\u003c\/li\u003e\n\u003cli\u003eAudio Output Impedance: 100 Ohm\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized black aluminum chassis\u003c\/li\u003e\n\u003cli\u003e9V DC power supply included\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current\u003c\/li\u003e\n\u003cli\u003eDimensions: 4.5” deep x 4” wide x 1.75” tall, 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":40010942677073,"sku":"FLINTV2","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/products\/Flint_TopDown_Crop.jpg?v=1657515066"},{"product_id":"strymon-lex-rotating-speaker-effect-pedal-new-version-2-midi","title":"Strymon Lex Rotating Speaker Effect Pedal New Version 2 MIDI","description":"\u003cstrong\u003eBorn to Revolve.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere is something uniquely powerful about the sound of a vintage rotary speaker system. The organic chorusing as the treble horn and bass rotor start speeding up.  The grit of the internal tube-driven amplifier, creating additional harmonics that spin around the room.  Plug into Lex, close your eyes, and be transported by this classic sound, recreated with astonishing realism and depth for your pedalboard.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe Complete Rotary Speaker System.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLex provides you with a complete, accurately reproduced rotary speaker system: the low-frequency bass rotor, the rotating treble horn, the tube-driven amplifier, finely tuned microphone placement, and all the complex sonic interactions between these elements. Powerful, intuitive controls mean you can quickly dial in just the customized sound you desire.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eClassic Sound, New Features.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOur second generation Lex gives you the same rich rotary sounds of our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFull MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Lex’s EXP\/MIDI jack or USB-C connection.\u003cbr\u003e\u003cbr\u003eRotor speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset.\u003cbr\u003e\u003cbr\u003e300 MIDI preset locations are available for loading and saving your favorite settings.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHardware Improvements\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.\u003cbr\u003e\u003cbr\u003eAll this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUser Interface\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA more powerful and intuitive user interface gives you instant control over mic position and distance, dry level, acceleration speed, volume boost\/cut, and easy customization of rotor speed.\u003cbr\u003e\u003cbr\u003eEverything you need for the full rotary speaker experience is at your fingertips.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/li\u003e\n\u003cli\u003eLow impedance independent TS stereo outputs.\u003c\/li\u003e\n\u003cli\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/li\u003e\n\u003cli\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/li\u003e\n\u003cli\u003eDedicated Slow\/Fast rotary speed \u0026amp; On\/Off footswitches\u003c\/li\u003e\n\u003cli\u003ePremium JFET analog front end\u003c\/li\u003e\n\u003cli\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/li\u003e\n\u003cli\u003e520MHz ARM Superscalar processor\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003e20Hz to 20kHz frequency response\u003c\/li\u003e\n\u003cli\u003eAudio Input Impedance: 1M Ohm\u003c\/li\u003e\n\u003cli\u003eAudio Output Impedance: 100 Ohm\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized brown aluminum chassis\u003c\/li\u003e\n\u003cli\u003e9V DC power supply included\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current\u003c\/li\u003e\n\u003cli\u003eDimensions: 4.5” deep x 4” wide x 1.75” tall, 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":40010945298513,"sku":"LEXV2","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/products\/Lex_TopDown_Crop.jpg?v=1657515354"},{"product_id":"strymon-cloudburst-ambient-reverb-pedal","title":"Strymon Cloudburst Ambient Reverb Pedal","description":"\u003cstrong\u003eA New Frontier\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s rare, but sometimes a single pedal has the ability to transform the way that we think about a type of effect. The new Cloudburst from Strymon is just such a device, taking ambient processing to the next level by offering a powerful reverb algorithm that can go from authentic smaller room sounds\u003cbr data-mce-fragment=\"1\"\u003eall the way up to near-infinite Cloud decay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCoupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating organic pads and soundscapes that follow your playing organically - you’ll get different results if you change pickups or play in a different place on the neck. It’s unlike anything you’ve ever heard or played before, all wrapped in a smaller form factor that still manages to house full stereo. I\/O, TRS MIDI and USB-C connectors on the back panel. Prepare to be inspired!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProduct Highlights:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eCapable of going from authentic smaller reverb sounds all the way up to near-infinite\u003c\/li\u003e\n\u003cli\u003eCloud decay.\u003c\/li\u003e\n\u003cli\u003eNew Ensemble mode for instant string-like organic pads and soundscapes that\u003c\/li\u003e\n\u003cli\u003eorganically follow your playing.\u003c\/li\u003e\n\u003cli\u003eFreeze and Infinite modes available via the TRS MIDI expression jack.\u003c\/li\u003e\n\u003cli\u003ePowerful controls for Pre-Delay, Tone and Modulation.\u003c\/li\u003e\n\u003cli\u003eMono-to-Mono, Mono-to-Stereo and Stereo-to-Stereo back panel switch.\u003c\/li\u003e\n\u003cli\u003eTrue Stereo In and Out via TRS jacks to make connections easy.\u003c\/li\u003e\n\u003cli\u003eFull MIDI integration: save up to 300 presets, real-time parameter control and more.\u003c\/li\u003e\n\u003cli\u003eTRS MIDI\/Expression pedal jack allows easy control over most pedal parameters.\u003c\/li\u003e\n\u003cli\u003eIntegrated USB-C connection for firmware updates, MIDI control and connection to Nixie.\u003c\/li\u003e\n\u003cli\u003ePremium analog JFET input circuit ensures superb responsiveness.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44318390649145,"sku":"CLOUDBURST","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/products\/cb_8ff8f0f4-4fc0-41f0-b196-42b2d34659f9.jpg?v=1675474794"},{"product_id":"strymon-brig-dbucket-delay-pedal","title":"Strymon Brig dBucket Delay Pedal","description":"The sound of analog bucket brigade delays (BBDs) is classic for a reason, offering warm tones and a distinctive and organic gooey-ness to the repeats that is unlike any other kind of circuit design. The new Brig dBucket Delay pedal from Strymon recreates all of the signature behavior that these classic chips deliver, while offering greater flexibility, power and performance - you really can play the repeats like an instrument!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBrig offers three different BBD voices, based on different types of classic bucket brigade circuits, offering you everything from gritty repeats and sci-fi psychedelia to soft and dreamlike soundscapes you can float on top of. Warm bucket brigade modulation gives your repeats exciting movement, and at the shortest delay times works as a killer standalone BB chorus pedal too!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAdd in full stereo i\/o, TRS MIDI, 300 presets, USB C for DAW MIDI control and firmware updates, a discrete JFET analog input circuit for unrivaled feel and touch response and seamless tap tempo behavior that allows you both artifact-free tempo tapping or bucket brigade chaos when you tweak the Time knob, and you have a seriously powerful BBD workstation in a compact form factor.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProduct Highlights\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eThree distinct bucket brigade voicings based upon classic BBD circuit configurations.\u003c\/li\u003e\n\u003cli\u003eUnique Filter control for shaping the tone of the repeats.\u003c\/li\u003e\n\u003cli\u003ePremium discrete stereo JFET analog input circuit for exceptional feel and touch response.\u003c\/li\u003e\n\u003cli\u003eTRS MIDI\/Expression jack for external control via expression pedal or TRS MIDI.\u003c\/li\u003e\n\u003cli\u003eFull MIDI integration - 300 onboard presets, realtime parameter control and more.\u003c\/li\u003e\n\u003cli\u003eFull stereo inputs and outputs via TRS jacks.\u003c\/li\u003e\n\u003cli\u003eMono-to-mono, Mono-to-stereo and Stereo-to-stereo operation.\u003c\/li\u003e\n\u003cli\u003eArtifact-free tap tempo.\u003c\/li\u003e\n\u003cli\u003eUSB C for DAW MIDI control and firmware updates.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":46063958622521,"sku":"STRYMONBRIG","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/files\/brig.jpg?v=1691043405"},{"product_id":"strymon-ultraviolet-vintage-vibe-pedal","title":"Strymon Ultraviolet Vintage-Vibe Pedal","description":"When it’s right, the sound of a vibe pedal can be magical, full of gooey swirls and low end that is thick enough to almost chew on when you dig in, especially when going into a slightly overdriven amp. It’s a sound that captivated players like Jimi Hendrix, Robin Trower, David Gilmour and Doyle Bramhall II, and it’s still highly sought after today. Up until now the best versions of these sounds have been large in size and expensive, but that has all changed now as we welcome Ultraviolet to the Strymon family!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUltraViolet is a hyper-accurate recreation of the classic vibe sound that began with the original Shin Ei Univibe® in the late ‘60s, but it goes far beyond those original units in flexibility. We’ve captured all of the critical component interdependencies of the original down to the tiniest nuance, but we’ve also innovated by adding a new Blend mode to the original Chorus (50\/50) and Vibrato (100% wet) settings, to give you a 70\/30 mix of dry and wet for a more subtle effect. We’ve also added three different Bias settings, allowing you to fundamentally change the throb and growl of the vibe sound to suit the needs of the music. It’s highly addicting!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eProduct Features:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eHyper-accurate recreation of the original ‘60s vibe sound popularized by Jimi Hendrix and others.\u003c\/li\u003e\n\u003cli\u003eThree operating modes: Chorus (50\/50 mix), Vibrato (100% wet) and new Blend mode (70\/30)\u003c\/li\u003e\n\u003cli\u003eThree different Bias settings for determining the center frequency of the sweep - Low, Mid and High.\u003c\/li\u003e\n\u003cli\u003eControls for Speed, Intensity and Volume.\u003c\/li\u003e\n\u003cli\u003eTRS Stereo Input and Output jacks.\u003c\/li\u003e\n\u003cli\u003eUSB-C for firmware updates, MIDI connectivity and future compatibility with our Nixie software.\u003c\/li\u003e\n\u003cli\u003eTRS MIDI\/Expression jack for connecting to a TRS MIDI source or expression pedal.\u003c\/li\u003e\n\u003cli\u003eFull MIDI implementation and 300 preset slots.\u003c\/li\u003e\n\u003cli\u003ePremium discrete JFET analog input preamp.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47066737377593,"sku":"Z120-ULTR","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/files\/uv.jpg?v=1695664162"},{"product_id":"copy-of-strymon-ojai-r30-expansion-kit","title":"Strymon Ojai R30 Expansion Kit","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003carticle id=\"desc\" class=\"webtext\"\u003e\n\u003cdiv class=\"webtext-block webtext-switched  webtext-block--text\"\u003e\n\u003cdiv\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003eEffects pedal power supply expansion kit for up to 5 pedals\u003c\/li\u003e\n\u003cli\u003e3 x 9V, 500mA outputs\u003c\/li\u003e\n\u003cli\u003e2 x switchable 9V, 12V, or 18V 500mA outputs\u003c\/li\u003e\n\u003cli\u003eDual-isolated outputs ensure noise-free pedal operation\u003c\/li\u003e\n\u003cli\u003eBuilt for the rigors of the road\u003c\/li\u003e\n\u003cli\u003eSlim dimensions mount easily under a tight pedalboard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003ca id=\"specs\" class=\"anchor\"\u003e\u003c\/a\u003e\n\u003csection class=\"product-specs\"\u003e\u003c\/section\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":48023036035385,"sku":"StrymonOjaiExpansion","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/files\/download.jpg?v=1706988843"},{"product_id":"strymon-bigsky-mx-next-generation-reverb-workstation","title":"Strymon BigSky MX Next-Generation Reverb Workstation","description":"\u003cp\u003e\u003cstrong\u003eOne Verb To Rule Them All\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntroducing the BigSky MX from Strymon, the next-generation reverb workstation that changes the game for dedicated reverb pedals. It can be daunting to dramatically improve a product like the original BigSky, as it’s been a staple on pro pedalboards for a long time for a host of very good reasons, but we’ve spent the last four years making sure that we achieved that goal. It sounds bigger, wider and more expressive than anything else on the planet, with a host of new features and capabilities that make it the new Greatest Of All Time reverb.\u003c\/p\u003e\n\u003cp\u003eThe new BigSky MX is a world-class reverberator that packs a host of powerful features into a single enclosure: it uses a tri-core 800 MHz ARM processor to achieve two reverb machines at once, with Series, Parallel or Split audio routing and new panning controls. Of the 12 reverb machines, seven are brand new and the remaining classic machines all get powerful sonic and feature upgrades. The new convolution engine is capable of playing ten-second stereo impulse responses, along with the ability to fully edit the IRs. 22 impulses come preloaded, including a large number of custom long captures of classic analog studio gear. 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Enjoy organic and ethereal modulation produced by countless subtle mechanical imperfections, and easily dial in anything from warm slapback to expansive echo feedback beds with a strikingly gorgeous stereo image. With beautifully-tuned low frequency response, lush tape saturation and sublime echo decay, EC-1 provides all the best of what a tube driven tape echo can deliver.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull-Featured Compact Stereo Tape Echo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEC-1 offers impressive power and flexibility in a small and elegant form factor: Selectable tube-modeled preamp voices. Artifact-free tap tempo. Discrete stereo operation for independent processing of the left and right stereo inputs. Straightforward controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control of tempo, patch save\/recall and more. Premium components, rugged construction and a USB jack for performing firmware updates or controlling the pedal from a computer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape, Tubes, and the Best of the Best\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDevelopment of EC-1 started with the groundbreaking single moving head algorithm originally developed for our El Capistan pedal, which is renowned for its lifelike reproduction of vintage tape echo. From there, we were fortunate to acquire what turned out to be a very special Echoplex EP-2, as the unit was in amazingly good condition and had been worked on by storied technician Cesar Diaz. We discovered that several purposeful and skillfully-implemented modifications had been made to the unit, including tweaks to the tube preamp for a warmer sound closer in frequency response to an EP-3. The modifications seemed aimed at bringing the best aspects of the various vintage Echoplex models into a single unit, and the inspiring result significantly informed development of EC-1, imbuing it with a special character that is immediately nostalgic.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePreamp Input Signal Enhancer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing meticulous tube modeling techniques, EC-1 offers a choice of two authentically reproduced preamp circuits that lend a subtle vintage character to your input signal. One is based on the classic EP-2 tube preamp and features an enhanced high-end shelf perfect for brightening up darker humbuckers. The other preamp option (the default setting) produces a warm, balanced response based on the modded preamp circuit in the EP-2 unit that we studied during the development of EC-1. This option adds a pleasing sense of heft, especially to single-coils. Both preamp choices offer an optional boost of up to +6dB, or the preamp can be bypassed for an unprocessed dry signal if desired.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrymon dTape System Tale of the Tape\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur unique dTape technology was first developed for El Capistan, and we have expanded on it to reproduce all the inspiring nuances we encountered while studying a recently-acquired tube Echoplex that was in uncommonly superb condition. Our dTape system allows precise replication of every aspect of every tape echo we’ve studied, and in EC-1 this includes the effect of the moving head, the tape condition, the bias setting, the mechanical effects of motors, capstan slippage and all the irregularities that add up to create the unmistakable, inspiring sound of vintage tape echo repeats.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Level Satisfying Saturation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you want the cleanest repeats, subtle fattening or even downright dirty echos, you can instantly dial in the desired amount of tape saturation with the flip of a switch. Providing pleasing tonal shifts from thinner to fatter, EC-1’s three-way Record Level toggle switch selects the gain of the signal fed into the virtual record head. Choose the low position for unity gain with optimized bias for the cleanest repeats, medium for a 6dB input signal boost with increased bias for slightly saturated repeats, or high for a 12dB input signal boost with further increased bias for heavily saturated repeats. This control also gives you a fast and easy way to match EC-1’s response to your input signal level to obtain the desired sound from any pickup type or pedalboard configuration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMechanics The Beauty of Imperfection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor EC-1, fluctuations from motors and mechanical components were thoroughly studied to accurately capture their imperfections. At the lower end of the Mechanics control’s range only slower motor-related wow and flutter are present, but at around one o’clock these fluctuations are reduced in favor of faster disturbances from crinkle, splices, and capstan slippage which accurately replicate the sound of our golden EP-2 unit. This setting can create uniquely reverberant and three-dimensional\u003cbr\u003eechos that spread across the stereo spectrum. The slower fluctuations are mixed back in more prominently as you approach the maximum Mechanics setting, and the unique combination of multiple imperfections create truly gorgeous, organic stereo modulation effects unlike anything you’ve ever heard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTape Age Mature Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe frequency characteristics of tape echo repeats are determined in part by the bandwidth of the actual tape stock, so older tapes will have a lower bandwidth with a warmer top end. EC-1 allows you to faithfully reproduce these characteristics by turning up the Tape Age knob for warmer repeats, or turning it toward minimum for the full-bandwidth sound of fresh tape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRepeats Everything Is Under Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEC-1 is designed to allow high levels of repeats that are truly lush but that don’t spiral into uncontrollable feedback. That wide sweet spot on the edge of runaway feedback can create intriguing sound beds under your lead or rhythm playing. Of course if you want to crank the Repeats control to maximum and play with the unique pitch effects that only a sliding record head tape echo can produce, those effects are all precisely replicated in sound and response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiscrete Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEC-1 features full stereo in and out capabilities, processing incoming stereo signals independently so that you can place it anywhere in your stereo effects chain. It can also receive mono input and still produce stereo output if you’d like to use it as the stereo origin point of your signal path. EC-1’s single TRS input and TRS output allows for stereo operation while maintaining a compact form factor. 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No matter what instrument or style of music you play, if you need to connect unbalanced outputs to a PA, recording interface or flat response speaker system, PCH is the ultimate choice for an absolutely transparent stereo direct interface - and it’s the only one that you can listen to locally via the stereo headphone amp.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Highlights:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo channel design - use in stereo or dual mono, whichever fits your setup\u003c\/li\u003e\n\u003cli\u003eRuns on 9VDC - internally converted to 24V to be virtually unclippable\u003c\/li\u003e\n\u003cli\u003eStereo headphone amplifier powerful enough to drive high impedance headphones\u003c\/li\u003e\n\u003cli\u003eSwitchable Mic\/Line level operation for the XLR outputs\u003c\/li\u003e\n\u003cli\u003eDefeatable ground lift for the XLR outputs\u003c\/li\u003e\n\u003cli\u003eDefeatable Sum for the Thru outputs\u003c\/li\u003e\n\u003cli\u003eRuns off of a modified internal mini Ojai power supply for ultimate performance\u003c\/li\u003e\n\u003cli\u003eExtremely low THD (Total Harmonic Distortion)\u003c\/li\u003e\n\u003cli\u003ejBulletproof construction that will stand up to the abuse of the road\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":51128135156025,"sku":"PCH","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/files\/st2_569c8cf0-6336-4146-beb9-978e026a73fb.jpg?v=1756849778"},{"product_id":"strymon-ojai-expansion-kit-1","title":"Strymon Ojai Expansion Kit","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIf you're enjoying the clean power of Strymon's Ojai power supply, you'll love the expansion power of Strymon's Ojai Expansion Kit. Relying on Strymon's other power supplies to drive its five 9-volt outputs, this compact wonder allows you to add more pedals to your board without worry of extra noise. And thanks to the Ojai Expansion Kit's compact and rugged enclosure, it fits beautifully under most pedalboards, won't add prohibitive weight, and is sure to last for years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul class=\"vertical\"\u003e\n\u003cli\u003ePedal power supply expansion for up to 5 pedals\u003c\/li\u003e\n\u003cli\u003e5 9V, 500mA outputs\u003c\/li\u003e\n\u003cli\u003eDual-isolated outputs ensure noise-free pedal operation\u003c\/li\u003e\n\u003cli\u003eBuilt for the rigors of the road\u003c\/li\u003e\n\u003cli\u003eConvenient compact size mounts easily\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":51153680695609,"sku":"OJAIEXP","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/products\/powersupplyfamily_ojai.jpg?v=1571709204"},{"product_id":"strymon-olivera-oil-can-delay-pedal","title":"Strymon Olivera Vintage Oil Can Echo Pedal","description":"\u003cp\u003e\u003cstrong\u003eA Well Oiled Machine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTurn the clock back to a time when audio effects were still uncharted territory, and experience the vintage syrupy warble of a true oil can echo. From dark and modulated repeats to sustaining textures that approach the sound of classic spring reverb tanks, Olivera is the first pedal emulation that truly captures the mechanical yet wildly organic nature of these oddball machines, bringing funky inspiration to anything you run through it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDifferent By Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe first oil can echoes were made by the Tel-Rey company in 1959, achieving the repeats by writing a static charge to a small rotating disk inside a can, using oil as a lubricating dielectric. This novel approach yields very different sounds than what you would hear from a tape machine, and the results instantly transport the listener to a darker and murkier place that positively oozes vibe.\u003c\/p\u003e\n\u003cp\u003eThe sheer number of variables in the design made authentic emulation challenging, requiring a ton of research and a brand new algorithm to get to the realism that we set out to achieve. We feel confident that Olivera captures the true soul of the original units, from the dark repeats with unique rhythmic and decay characteristics to the unreal thick modulation that changes and morphs as the audio does. No other type of delay can do what an oil can does, and no other pedal emulation comes close to Olivera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVintage Stereo Echo Enhanced With Modern Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOlivera has a host of powerful features that make it easy to integrate these nostalgic sounds into your modern rig: Discrete stereo operation for independent processing of the left and right stereo inputs. A simplified control set and expression pedal and Multiswitch capability. Delay spillover for preserving repeats when the pedal is switched off. Discrete Class A JFET stereo input preamp for exceptional touch sensitivity and ideal frequency response. MIDI control of patch recall and continuous controller data. Premium components, rugged construction that can take a beating and a USB jack for performing firmware updates or controlling the pedal from your computer. Olivera makes it easy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHow An Oil Can Echo Works\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVintage oil can echo devices are electromechanical units that write a static charge onto a rotating disk housed in a can partially filled with oil. The oil serves as a lubricant that helps retain the charge on the disk. The resultant delay signal is very band limited, creating a murky sounding echo. But that’s not the only quality that gives the oil can echo its atmospheric magic.\u003c\/p\u003e\n\u003cp\u003eThe units have a record head and typically two playback heads, but generally no erase head, allowing some dissipating charge to remain as the can rotates. This contributes to two unique characteristics of these systems.\u003c\/p\u003e\n\u003cp\u003eFirst, it creates a regenerating repeat even when no feedback (REGEN) is applied from the playback heads. The static charge has its own decay time constant, so there are always “repeats” from the echo at all settings.\u003c\/p\u003e\n\u003cp\u003eSecond, it creates an uneven cadence to the echoes, where the first echo occurs based on the distance from the record head to the playback head. But subsequent echoes occur at the rotational speed of the system as the dissipating signal comes back around on the disk. The resultant off-kilter delay cadence is largely responsible for creating the sense of atmosphere without a strong “rhythmic” element.\u003c\/p\u003e\n\u003cp\u003eBy adding feedback (REGEN) from the playback heads, and\/or combining the output of the two heads, the atmospheric nature of the echoes increases.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003ePremium JFET analog front end\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003e520MHz ARM Superscalar processor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003e32-bit floating point processing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003e20Hz to 20kHz frequency response\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio Input Impedance: 1M Ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio Output Impedance: 100 Ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003eTypical signal to noise ratio: 116dB\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":51253577580857,"sku":"OLIVERA","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/files\/oli1.jpg?v=1760636817"},{"product_id":"strymon-fairfax-class-a-output-stage-drive","title":"Strymon Fairfax Class A Output Stage Drive","description":"\u003cp\u003e\u003cstrong\u003eMiniature Marvel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnlike many units we associate with gain and overdrive, Fairfax isn’t really a distortion pedal. Instead, it’s a complete miniature amplifier in 100% analog form, based upon a little-known device from the 60’s that powered a number of classic rock anthems. \u003c\/p\u003e\n\u003cp\u003eThe sound and feel is extremely tube-like, with added harmonics and saturation coming from a clever circuit that emulates the critical behavior of a tube amp’s output transformer. It’s a drive pedal that feels completely natural to play, retains the natural sound of your guitar, and glues notes together in a truly organic way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Story\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFairfax was inspired by the original Garnet Amplifiers Herzog® unit designed for Randy Bachman in 1965. Bachman wanted the sustain of a cello for his electric guitar, so he started running the speaker output of a small combo amplifier into the input of another larger amplifier while chasing that sound.\u003c\/p\u003e\n\u003cp\u003eUnfortunately that scenario has a tendency to blow up the combo amplifier (sometimes in dramatic fashion!), so Bachman enlisted Gar Gilles to design a device that would behave in a similar way but not actually catch fire. Gar’s design ended up being a small tube amp based around a 12ax7 and 6v6 tube, with a built-in speaker load so that it wouldn’t blow up. The result is the classic sustaining lead sound from songs like “American Woman” by The GuessWho. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore Than A Drive Pedal\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFairfax began as an engineering experiment, with the goal being to recreate all of the critical elements of the original circuit fully in the analog domain, but small enough to fit into a pedal enclosure. With JFETs in place of the tube stages and an ingenious custom circuit that emulates the characteristics of the output transformer (which is integral to the sound), Fairfax delivers the real-deal performance of the original unit, without the need for a 250V tube power supply. \u003c\/p\u003e\n\u003cp\u003eThere’s even a variable Sag circuit that behaves just like a real tube amp does, by dynamically varying the amount of available current to the preamp and power amp sections independently, based upon how much signal is being sent to the power amp and how hard the guitar is played. At low Sag values the behavior is mild and closer to a solid state rectifier, and at max values the JFETs can go crazy and unbias - which gates the input - leading to spitting and chortling sounds more commonly associated with gated fuzzes.\u003c\/p\u003e\n\u003cp\u003eIn order for Fairfax to behave like a real amplifier it needed a ton of operating voltage, so a transformer-based power supply converts the 9VDC input voltage to 40V internally. This gives Fairfax the power that it needs for high headroom and amp-like feel, allowing for a wide range of tones. \u003c\/p\u003e\n\u003cp\u003eAt lower Gain settings Fairfax remains sweet, gently pushing the input to your amp with additional harmonic richness. At higher Gain levels the sound can become angular, compressed and much more aggressive depending on the guitar that’s driving it, and the large range of gain on tap allows Fairfax to be used in nearly any setup imaginable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorks The Way You Need It To\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBecause it’s based upon a tube amp design, Fairfax plays well with all different types of amplifiers and amp modelers. The creamy sustain brings something new to both clean and naturally dirty amplifiers. \u003c\/p\u003e\n\u003cp\u003eWe’ve even included an internal jumper that determines the power up state, so if you plan on using Fairfax with a pedal loop switcher you can choose to have it turn on automatically when powered up. This saves you the step of turning the pedal on manually every time, which is a lifesaver on a dark stage or with a complex setup.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Level Control sets the output level for the pedal. Lower settings send less total output signal to your amplifier, no matter where the other two knobs are set. \u003c\/p\u003e\n\u003cp\u003eThe Drive Control determines the amount of preamp gain. Working in tandem with the Level control, you can determine precisely how you’d like to drive your amplifier - with a bunch of crunch dialed in, as a clean boost, or anything in between.\u003c\/p\u003e\n\u003cp\u003eThe variable Sag control allows you to fine-tune the behavior of the Sag circuit, where the amount of Sag is dependent on both the level being sent to the power amp section and on your playing style. It’s fully dynamic, meaning that light playing may not change the sag\/compression character much at all even at high settings, while digging in hard with big strings might produce more artifacts even at much lower pot values. \u003c\/p\u003e\n\u003cp\u003eThe Bright switch determines the high frequency contour. With the switch set to ‘Off’ high frequencies are attenuated somewhat, smoothing out the frequency response. Set to ‘On’, the high frequencies are left untouched, giving you a brighter response with more treble.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKiller code only sounds killer when it’s hosted inside of an ideal analog environment, and even though we’re primarily known for our DSP prowess, our stuff wouldn’t sound the way that it does without our strong analog team.\u003c\/p\u003e\n\u003cp\u003eThe analog guys are always coming up with interesting designs, so we’ve launched the ‘Series A’ line of pure analog pedals to give them an outlet, with Fairfax being the first to be released. \u003c\/p\u003e\n\u003cp\u003eThe designs you’ll be seeing in ‘Series A’ are intended to offer something different from traditional Strymon offerings, with minimal use of MIDI, USB, presets or any other type of external modern enhancements. These will be pedals that are unabashedly analog, which means it could get really interesting! 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Our phantom-powered and transformer-isolated PCH X1 and X2 active direct interfaces are different.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSonically Transparent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned to be pristine-sounding before any other feature, these are units that you can trust implicitly to handle your audio, no matter what kind of signal it is.\u003c\/p\u003e\n\u003cp\u003eOther direct boxes can distort low frequencies to the point where a low B on a bass guitar barely resembles the input, but the PCH X1 and X2 remain flat from far lower than that (10Hz) to well above what dogs can hear (80kHz) within a half of a dB, as well as remaining clean and quiet throughout that range.\u003c\/p\u003e\n\u003cp\u003eAlong with pristine audio, PCH X1 and X2 were designed with a host of real-world features that make them ideal as direct interfaces and line isolators.\u003c\/p\u003e\n\u003cp\u003eHoused in a bulletproof 3mm extruded aluminum chassis for protection, it doesn’t matter if you’re using them on a loud stage or in a quiet world-class recording studio, X1 and X2 balance your audio perfectly – and they’re small enough to fit just about anywhere.\u003c\/p\u003e\n\u003cp\u003eX2 is really two X1’s in the same enclosure, so their audio performance and behavior are largely identical. Each channel’s audio passes through a custom transformer, eliminating most ground loops and offering true galvanic isolation.\u003c\/p\u003e\n\u003cp\u003eEach unit also features a ground lift switch per channel to combat hum, as well as a three position high pass filter that allows you to roll off low frequencies at two different points: 80Hz for taming rumble, and 240Hz for more dramatically carving out space in the mix for low frequencies on other instruments.\u003c\/p\u003e\n\u003cp\u003eX2 features a phase reversal switch for reversing the polarity of the left XLR output, as well as a Sum switch that sums the inputs together and passes them to the left outputs (the right XLR output mutes to let you know Sum is engaged), allowing you to interface with both mono and stereo scenarios on the go without having to rewire anything. \u003c\/p\u003e\n\u003cp\u003eBoth the X1 and X2 feature a non-buffered Thru output in addition to the balanced XLR out, allowing you to feed the input signal to an additional device like an onstage monitor or instrument amplifier separately from the balanced output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCustom audio transformer per channel.\u003cbr\u003eRuns on phantom power (each channel requires power).\u003cbr\u003eGround Lift Switch per channel.\u003cbr\u003eThree-position high pass filter on each input.\u003cbr\u003eDefeatable Sum feature merges the Left and Right inputs and sends them to the Left outputs.\u003cbr\u003eExtremely flat frequency response.\u003cbr\u003eExtremely low total harmonic distortion (THD).\u003cbr\u003eThick 3mm extruded aluminum external shell with 5mm ribs for bulletproof protection.\u003cbr\u003eShell awning design protects switches while allowing easy access.\u003cbr\u003eHigh quality long life jacks and switches.\u003cbr\u003ePower Requirements: 5mA @ +48VDC (per channel).\u003cbr\u003ePCH X1 Dimensions: L – 3.66″ (93mm) x W – 1.97″ (50mm) x H – 1.54″ (39mm).\u003cbr\u003ePCH X2 Dimensions: L – 3.66″ (93mm) x W – 4.20″ (107mm) x H – 1.54″ (39mm).\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":51988476657977,"sku":"PCHX2","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/files\/x21.jpg?v=1772657220"},{"product_id":"strymon-pch-x1-active-di-isolator","title":"Strymon PCH X1 Active DI Isolator","description":"\u003cp\u003e\u003cstrong\u003eA Real Transformation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePutting a typical direct box on a high quality analyzer can reveal all manner of hidden issues – units sold as premium often exhibit audio behavior that is anything but, especially in the low frequency region or in measured total harmonic distortion.\u003c\/p\u003e\n\u003cp\u003eIf you disregard all of the technical mumbo jumbo it just boils down to this: the audio running through your direct box is often being treated poorly. Our phantom-powered and transformer-isolated PCH X1 and X2 active direct interfaces are different.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSonically Transparent\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned to be pristine-sounding before any other feature, these are units that you can trust implicitly to handle your audio, no matter what kind of signal it is.\u003c\/p\u003e\n\u003cp\u003eOther direct boxes can distort low frequencies to the point where a low B on a bass guitar barely resembles the input, but the PCH X1 and X2 remain flat from far lower than that (10Hz) to well above what dogs can hear (80kHz) within a half of a dB, as well as remaining clean and quiet throughout that range.\u003c\/p\u003e\n\u003cp\u003eAlong with pristine audio, PCH X1 and X2 were designed with a host of real-world features that make them ideal as direct interfaces and line isolators.\u003c\/p\u003e\n\u003cp\u003eHoused in a bulletproof 3mm extruded aluminum chassis for protection, it doesn’t matter if you’re using them on a loud stage or in a quiet world-class recording studio, X1 and X2 balance your audio perfectly – and they’re small enough to fit just about anywhere.\u003c\/p\u003e\n\u003cp\u003eX2 is really two X1’s in the same enclosure, so their audio performance and behavior are largely identical. Each channel’s audio passes through a custom transformer, eliminating most ground loops and offering true galvanic isolation.\u003c\/p\u003e\n\u003cp\u003eEach unit also features a ground lift switch per channel to combat hum, as well as a three position high pass filter that allows you to roll off low frequencies at two different points: 80Hz for taming rumble, and 240Hz for more dramatically carving out space in the mix for low frequencies on other instruments.\u003c\/p\u003e\n\u003cp\u003eX2 features a phase reversal switch for reversing the polarity of the left XLR output, as well as a Sum switch that sums the inputs together and passes them to the left outputs (the right XLR output mutes to let you know Sum is engaged), allowing you to interface with both mono and stereo scenarios on the go without having to rewire anything. \u003c\/p\u003e\n\u003cp\u003eBoth the X1 and X2 feature a non-buffered Thru output in addition to the balanced XLR out, allowing you to feed the input signal to an additional device like an onstage monitor or instrument amplifier separately from the balanced output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCustom audio transformer per channel.\u003cbr\u003eRuns on phantom power (each channel requires power).\u003cbr\u003eGround Lift Switch per channel.\u003cbr\u003eThree-position high pass filter on each input.\u003cbr\u003eDefeatable Sum feature merges the Left and Right inputs and sends them to the Left outputs.\u003cbr\u003eExtremely flat frequency response.\u003cbr\u003eExtremely low total harmonic distortion (THD).\u003cbr\u003eThick 3mm extruded aluminum external shell with 5mm ribs for bulletproof protection.\u003cbr\u003eShell awning design protects switches while allowing easy access.\u003cbr\u003eHigh quality long life jacks and switches.\u003cbr\u003ePower Requirements: 5mA @ +48VDC (per channel).\u003cbr\u003ePCH X1 Dimensions: L – 3.66″ (93mm) x W – 1.97″ (50mm) x H – 1.54″ (39mm).\u003cbr\u003ePCH X2 Dimensions: L – 3.66″ (93mm) x W – 4.20″ (107mm) x H – 1.54″ (39mm).\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":51988532429113,"sku":"PCHX1","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/3885\/files\/x11.jpg?v=1772659996"},{"product_id":"strymon-canoga-silicon-fuzz-pedal","title":"Strymon Canoga Silicon Fuzz Pedal","description":"\u003cp\u003e\u003cstrong\u003eIt's All About The Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanoga is a simple pedal to use – there’s one knob for Drive and one for output Level – but the interaction between the guitar and Canoga’s input is critical, as is the interaction between it and your amp.\u003c\/p\u003e\n\u003cp\u003eAs with many fuzz pedals, Canoga works brilliantly plugged into an amp with a bit of hair on the tone already, similar to how Jimi Hendrix and other guitar greats of the 60s and 70s ran their rigs.\u003c\/p\u003e\n\u003cp\u003eAdditional versatility comes from the interaction between your guitar’s volume knob and the pedal’s input. \u003c\/p\u003e\n\u003cp\u003eTraditionally, unbuffered fuzz pedals like to be connected directly to your guitar, so that the circuitry can “see” your guitar’s pickups and volume pot. Full up on both of Canoga’s pots and your guitar volume pot gets you the full fuzz experience, and rolling back the volume on the guitar opens up a new world of semi-clean blues, rock, Americana and pop sounds. \u003c\/p\u003e\n\u003cp\u003eThe rolled back sound stays clear in the high frequencies and doesn’t get muddy, so you might find that Canoga allows you to convincingly play riffs that you would normally employ a distortion pedal for, not a fuzz.\u003c\/p\u003e\n\u003cp\u003eKiller code only sounds killer when it’s hosted inside of an ideal analog environment, and even though we’re primarily known for our DSP prowess, our stuff wouldn’t sound the way that it does without our strong analog team.\u003c\/p\u003e\n\u003cp\u003eThe analog guys are always coming up with interesting designs, so we’ve launched the ‘Series A’ line of pure analog pedals to give them an outlet, with Canoga being the second in the line, alongside Fairfax. \u003c\/p\u003e\n\u003cp\u003eThe designs you’ll be seeing in ‘Series A’ are intended to offer something different from traditional Strymon offerings, with no MIDI, USB, firmware or digital processing. 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